Michael Simmonds has been a director of photography of thirty movies in the past decade and they go from high profile horror movies like Paranormal Activity 2, to successful documentaries such as Project Nim to indie cults like Chop Shop and Goodbye Solo. With his humanistic and naturalistic approach he would counterbalance the hyper stylized aesthetics planned by the director, and therefore reach something truly unforgettable.

Pedro Baron was born in Rio de Janeiro on April 14th, 1986. In 2005 he moved to the U.S. and lived in Houston, Dallas, New York and L.A. During his moving around he came into contact with different points of view that have infused in his art. He has been working in the film industry in different capacities, both on production and post-production, and his short films have played in different film festivals around the country. Currently, his sights

Emanuel has been in the film industry for over 30 years as a hair stylist and designer. He has worked on a multitude of projects, shaping and creating the images of some of the industry’s most iconic film characters such as Cameron Diaz in Being John Malkovich, Tom Hanks in the Da Vinci Code, Bill Murray in Groundhog Day, Brad Pitt in Inglorious Basterds and Angelina Jolie in Girl, Interrupted, just to name a few.
Amongst his films in developmen

A Connecticut native, Tommy Kijas is both a trained actor and a savvy producer. He has appeared on the silver screen opposite A-list actors in films like Wild Child, Ashley's Ashes, Valkyrie, Surfer Dude and Spread.
Tommy has produced 5 feature films in the last two years. He has produced Stripped, Monster Heroes, Amelia's 25th, Barrio Tales, The Three Stooges, and recently the movies entitled Counterpunch and Sushi Girl. Tommy is currently in p

In 2012, Tanaya met up with a fellow School of Visual Arts alum, Pedro Baron, who showed her his then work in progress screenplay, Interrogatory. She could visualize everything from what was happening, and having family members who were ex-veterans, she could also empathize.
The objective for her is to not just sell this film, but to hopefully spark about a serious discourse about prisoners of war and their families from an objective, non-bias p

Beau was born and raised in Georgia where he also started his career in the film industry. Working on films in Atlanta such as We Are Marshall, The Blind Side, Footloose and Joyful Noise helped Beau build relationships with seasoned industry veterans and eventually opened up the door to produce his own movies. His drive for film both in front of and behind the camera eventually took him to Los Angeles where he started to develop more projects as